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Thank you for making our inaugural fall season, and the New York City Premiere of Tom Gold’s Apparatus Hominus a success! DanceViewTimes called the work “assured and confident,” while Critical Dance noted the “finely crafted workmanship that doesn’t draw undue attention to itself, but is multi-faceted and far more complex than it appears.” We’ll be returning to the stage April 3 and 4, 2019, with a brand new program at The Kaye Playhouse. In the meantime, show your support for bold and original dance at